.png)
REVIEW | Macbeth, Kew Gardens - London
- Harry Brogan
- 2 days ago
- 2 min read
AD | tickets gifted in exchange of an honest review
Macbeth at Kew Gardens is one of those productions that reminds you how powerful Shakespeare can be when done with clarity and respect. The Australian Shakespeare Company, led by Glenn Elston, have brought their acclaimed outdoor production of Macbeth to London after a sold-out season in Melbourne in Australia. Their reputation for accessible, contemporary Shakespeare made this performance something special.
The setting was perfect. The play unfolded in a clearing surrounded by trees, with the natural light fading and the sun setting through the trees behind the stage as the story darkened. The production used the environment to its advantage, with clever lighting (by Lighting Designer Peter Amesbury) and minimal props, allowed the actors and the text to take centre stage. The choice to stage some scenes offstage did take away a little, but were perhaps done to add to the atmosphere, creating a sense of mystery and drawing the audience deeper in?
Hugh Sexton’s portrayal of Macbeth was compelling. Sexton captured the character’s descent into ambition and madness with subtlety and intensity. Nicole Nabout as Lady Macbeth was portrayed in a seductive sensual way and was equally impressive. Nabout brought strength and complexity to the role, making the characters influence over Macbeth both believable and chilling. Their chemistry was palpable, adding depth to the central relationship.
The witches were only seen a couple of times in the first half and were portrayed with a quiet intensity, so their presence was felt more than seen. Maybe this understated approach was used so their prophecies were all the more unsettling, as they lingered in the background, watching and waiting.
There were a few moments that didn’t quite land. The final fight between Macbeth and Macduff (played by Jackson McGovern) lacked the energy it needed after such a tense build-up, it was over a little too quickly, and didn’t give that full sense of Macbeth being truly cornered. And while the cast projected well, there were a few lines here and there that got swallowed by the air.
This production of Macbeth was family-friendly, with children aged 4 and under admitted for free, and those 5 and over requiring a ticket. While the performance is suitable and entertaining enough for families, younger children might find the themes, text and pacing challenging to follow.
The Australian Shakespeare Company has a long history of bringing Shakespeare to outdoor venues, making classic works accessible to a broad audience. Their commitment to quality and innovation was evident in this production, which successfully blended the timeless appeal of Shakespeare with the unique atmosphere of Kew Gardens.
The overall experience was beautiful, immersive and engaging with clever use of lights and smoke to portray night and day, plus drama and enigma.
If you're looking for a thoughtful, atmospheric take on a classic play, this Macbeth is worth seeing. Just be prepared for the chill of the evening (layers required once the sun goes down) and the beauty of the setting.
★★★★
Macbeth plays at Kew Gardens until 31st of August
Comments